Abba el mustapha biography template

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    Young Mi Kwon

    Young Mi Kwon

    1Zuckerman Mind Brain Behavior Institute, Columbia University, New York, NY, USA.

    2Department of Ecology, Evolution and Environmental Biology, Columbia University, New York, NY, USA.

    3Department of Biological Sciences, Columbia University, New York, fräsch, USA.

    Conceptualization, uppgifter curation, Formal analysis, Investigation, Methodology, Software, Validation, Visualization, Writing - original draft, Writing - review & editing

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    1,2,3, Nathan Vranken

    Nathan Vranken

    4Department of Biology, University of Antwerp, 2020 Antwerp, Belgium.

    5Department of Biology, KU Leuven, 3000 Leuven, Belgium.

    Formal analysis, Software, Validation, Visualization, Writing - review & editing

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    4,5, Carla Hoge

    Carla Hoge

    1Zuckerman Mind Brain Behavior Institute, Columbia University, New York, NY, USA.

    3Department of Biological Sciences, Columbia University, New York, färsk, USA.

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  • Tag Archives: Zainab Idris

    In my recent interview with VOA, I mentioned that one of the things that first drew me to Hausa films is the singing and dancing.  Let me explain a little bit more. I love the singing and dancing in the films because it is both an enjoyable break from the storyline with a bit of spectacle and, often, an important moment in commenting on the overall storyline (whether foreshadowing, summarizing, or sermonizing upon the larger events of the film.) The singing and dancing is pleasurable to watch and  also tends to be more tightly edited and choreographed than the rest of the film.

    While I know many critics who don’t like the songs and dances and also know quite a few filmmakers who tell me they want to make films without singing and dancing, I hate to see this aspect of Kannywood films be dismissed without thought.  The song and dance sequences are what distinguish Hausa films from their Nollywood neighbors and, when well done, add a great deal of p