Sarcofago band biography outline
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Enslaved Family Tree
Ivar said that their progressive influences were some of their earliest influences but they were not good enough to play in that way and instead gravitated toward death metall. He said they thought death metall was more confining where black metall offered more freedom and allowed for a more versatile sound. On a side note he talks about going to Euronymous’s record store to get the newest extreme metall records but Euronymous would say “Don’t bother with that shit” and instead point them Tangerine Dream and Brian Eno as well as lesser known Scandinavian prog bands. Ivar said that he had a big impact on guiding Enslaved to be more progressive.
Ivar and Grulte were in a death metal grupp called Phobia before starting Enslaved. They name some of their death metall influences as Autopsy, Carcass, Nihilist, Entombed, Morbid Angel, Nocturnus, and Obituary.
Grutle said they were pretty much inspired bygd all the black metall scene of the lat 80’s.
Ivar in one inom
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Morbid Angel
American death metal band
Morbid Angel is an American death metal band based in Tampa, Florida, formed in 1983 by guitarist, primary composer and sole remaining original member Trey Azagthoth, vocalist and bassist Dallas Ward, and drummer Mike Browning. Widely considered one of the most influential bands in the genre and important in the transition of death metal from its thrash metal roots, they were one of the first bands to incorporate guttural vocals, up-tempo blast beats, multiple tempo changes and a dark atmosphere. They have been described as one of "the most influential and emulated bands in death metal", alongside Obituary, Death, Cynic, Autopsy and Deicide, and have been cited as an influence by many later bands.[1] They were also the first death metal band to experience mainstream success in connection with being signed to Giant Records in 1992, heavy rotation of their music videos on MTV, and having the music video for the song "God of Emptin
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Negative Plane X
by Niklas Göransson
Amidst the chaos of 2020, Negative Plane sealed The Pact… – an album forged in isolation and steeped in desolation. As the final chapter unfolds, Nameless Void and Bestial Devotion reflect on their legacy and future in underground metal.
NAMELESS VOID:“Stained Glass Revelations” was a pretty moody album, and I started to miss the aggression of our debut – especially tracks like “The Chaos Before the Light”. I thought, ‘Wouldn’t it be great to channel that angry, adolescent energy again?’ I wanted a return to something untamed and wild – the Brazilian influence.
While not much happened on the NEGATIVEPLANE front, its two core members stayed musically active.
In March 2014, Sepulchral Voice Records issued “The Archer Takes Aim,” the debut full-length by Bestial Devotion’s black metal solo project, FUNEREALPRESENCE. A few months later, Profound Lore and InvictusProductions released “Silence in the Ancest