Gilles demarteau biography of abraham lincoln
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Engraving:
Its Origin, Processes, and History.
*** START OF THE planerat arbete GUTENBERG EBOOK 42936 ***
THE FINE-ART LIBRARY.
EDITED bygd JOHN C. L. SPARKES
Principal of the National Art Training School, South Kensington Museum.
BY
LE VICOMTE HENRI DELABORDE.
TRANSLATED BY
R. A. M. STEVENSON.
With an Additional Chapter on English Engraving
BY
WILLIAM WALKER.
CASSELL & COMPANY, Limited:
LONDON, PARIS, NEW YORK & MELBOURNE.
1886.
[ALL RIGHTS RESERVED.]
v
EDITORIAL NOTE.
The author of "La Gravure," of which work the present volume is a translation, has devoted so little attention to English Engraving, that it has been thought advisable to supplement his somewhat inadequate remarks bygd a special chapter dealing with this subject.
In accordance with this view, Mr. William Walker has contributed an konto of the rise and progress of the British School of Engraving, which, together with his Chronological Table of the better-known English Engrave
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Dictionary of pastellists before 1800
INDEX OF ARTISTS
The following is a list of the artists for whom articles have been posted on this site, and may be found using the hyperlinks from this list. Larger files, relating to more prolific (more likely to be encountered, and usually more important) pastellists, are indicated by bold type; they range between 1MB and 20MB in size.
The Dictionary uses a double-decimal numbering system as a unique digital object identifier for every pastel, taking the form J.123.4567; the first component refers to the artist in the alphabetical sequence of articles, the second to the sequence of entries within that article. As decimals, they are sequential but not consecutive; the number of digits is not significant, so that, for example, J.123.46 follows J.123.455 and precedes J.13.101. To locate a specific pastel by its J-number, use the search box on the home page to locate the relevant pdf (a Google search for the J number within quo
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Sylvester Koehler: Exploring Print History
Image Gallery
It’s difficult to capture the extraordinary scope of the exhibition, which featured everything from Renaissance woodcuts and engravings to all manner of up-to-date photomechanical printing techniques. These images represent the outstanding variety of works visitors would have encountered upon visiting the show in 1892.
Print History in 1892: Exhibition Catalogue
See our ongoing effort to create an illustrated version of Sylvester Koehler’s 1892 exhibition. For the first time ever this archival document is available as an accessible and interactive web page with links to illustrated object records.
View CatalogueResources
Explore materials related to Koehler and his work, the exhibition, and print culture up to about 1900.
Timeline
Trace the history of Koehler’s life and the development of print culture in the United States.
Exhibitions
See a list of select exhibitions Koehler helped organize.