Albert henry krehbiel biography of christopher
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Music 345: Race, Identity, and Representation in American Music
When reading selections from Henry Krehbiel’s 1914 publication of Afro-American Folksongs: A Study in Racial and National Music,1 Music 345 was perplexed to compare his eagerness to embrace African American folksongs as American creations attributed to Black people in America to the writings of George Pullen Jackson in White and Negro Spirituals (1943).2There was a general consensus among us that as history progresses, so do our politics. So I want to know: what was Krehbiel inspired by, and what can his background tell us about his research and publications?
I do not seek to answer this question in full with a blog post, however I do think it is worthwhile to consider where his inspirations came from. Henry Krehbiel was a first generation American growing up in a German speaking family. He started working for the New York Tribune around 1880 and soon rose to the title ‘music editor’
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Albert Henry Krehbiel (1873-1945)
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representational artResource Library
from Resource Library essay (not solely dedicated to this artist bygd a named author) also see Konrad Kramer from Archives of American Art
from Resource Library essay (not solely dedicated to this artist bygd a named author) also see Peter Krasnow from Smithsonian American Art Museum
from Resource Library article (not solely dedicated to this artist) also see Glen Krause from Artland ApS
from Resource Library essay (dedicated solely to this artist by a named author) also see Albert Henry Krehbiel from Wikipedia
from Resource Library essay (dedicated solely to this artist by a named author); also see from Illinois Women Artists planerat arbete essay: Greenhouse, Wendy. "Dulah Evans Krehbiel: A Brief Biography," 2010
from Resource Library article (not solely dedicated to this artist) also see Perna Krick from Wikipedia
from Resource Library article (not solely dedicated to